Lovely, wheezing roots, with the same charming frankness and male vulnerability as Jux’ She’s Gonna Marry Me.
Great tunes to spin at wedding parties (cut with Pablo’s Bells Of Death).

Recorded under the name Bumpy Jones, for Jerry Brown’s Summer label in Toronto (same Upsetters family tree as Bullwackies and Half Moon).
Ramshackle, tottering, bloodshot; brilliant, freely creative and compelling.
The killer dub is entitled Jah Jah Symphony In B Minor. Pretty droll.

Chilled, elevated, hypnotic, move-on-up grooving, out of the Miami reggae underground.
“I know how / to milk a cow.”

The classic digital destroyer, recorded at Aquarius in 1987.
Cyaan be no loefah.

Slightly theatrical female sufferers from 1977, arranged by Cedric Brooks.

From 1982 — with the Roots Radics and Jah Thomas at Channel One.

Sweet Stalag business.

Tremendous, transformative interpretation of the Bassies at Studio One — mournful, trenchant, rocking, heavy, dubwise… bad.