Another cracker of a book. Going on three hundred flyers, one per page; a handful in colour. Poignant loveliness from beginning to end. Click through for a couple more images.

Magnificent, hypnotically insurgent, boogie-down bubblers, with Sugar Minott at the mic, leading burnished horns and dapper, soulful backing vocals. Like a cross between Ain’t No Stopping Us Now and Armagideon.
Jerry Johnson heads out on the flip: a killer uptempo instrumental, with swirling brass over a pared-down, propulsive rhythm.

Easy-squeeze, rocking steady loveliness from 1968.

Brilliant toasting and singing by the likes of Prince Hammer, Echo Minott, Trinity and Lee Van Cliff, over gold-plated Roots Radics rhythms. A precious blend of heavier-than-lead roots, new-thing dancehall flow, and youthman promotion, curated by Hammer himself in 1982. Deeply enjoyable from start to finish.

Beautiful, heart-wrenching, anti-war roots.
Sublime singing, led by Tony Tuff, over the kind of rhythm you could run for hours.

Their 1990 masterwork expanded to include everything from the recording sessions previously restricted to CD.
Religious chants over a layered, dubwise backdrop of African hand percussion.
An outernational classic.

The 2011 album available on vinyl for the first time.
Bonjo Iyabinghi Noah meets Adrian Sherwood, with numerous guest spots including Jazzwad and Adamski.
Some of the hardest hitting AHC rhythms are here; more tailored to sound-system transmission than ever before.

The first vinyl release of this 2005 reunion of Bonjo Iyabinghi Noah and Adrian Sherwood.
Richly percussive African rhythms, bubbling with trippy effects; pounding bass.

‘The star of the show is Noah’s mesmerising hand drumming, especially on the headspinning Microdosing’ (The Guardian).
‘Easily AHC’s most accessible, vivid approximation yet of Brian Eno’s fabled ‘vision of a psychedelic Africa’’ (Mojo).
‘A ceaselessly unpredictable and eclectic record that manages to sound as traditional as it does experimental’ (Uncut).