Fine roots from 1986, with a dose of Burning Spear in the singing. Produced by the Blackheart Man, favoured by Shaka.

Deadly, dubwise space disco by the Gaylad — a version of The Earons’ Land Of Hunger, hauling it from Compass Point in the Bahamas, to downtown Kingston, Jamaica.

Late-eighties Callo Collins production of the Youth Promotion cohort.

Aka Olive Grant — the same Senya who broke through at Randys in 1974 with Oh Jah Come and Children Of The Ghetto — with The Wailers backing.

The Don in full flight over late-nineties Bunny Gemini. Plus a Yami Bolo, and both dubs.

Gospelised roots, produced by Delroy Collins in the late 1990s, with mixes by the Disciples.

Excellent mid-seventies roots by this singer from Jack Ruby’s Hi Fi.

Scientist, Roots Radics.

Upful, infectious, buzzing dancehall vibes, flirtatiously mashing in lines from Sunfire’s boogie classic Young, Free & Single, over the same murderously bumping digi rhythm as Frankie Wilmott’s I Won’t Give Up.

All-time-classic Stalag excursion.

Killer roots detournement of Georgia Turner‘s dread blues about a New Orleans brothel, to the tune of a seventeenth-century English folk song, by way of Bob Dylan, Nina Simone and The Animals.
Bunny Gale revives another folk song on the flip — Dead Man’s Chest — via The Viceroys’ classic Studio One outing.
More crucial Keith Hudson runnings, courtesy of Dub Store in Tokyo.