Tough early-eighties Fatis digi, over which our hero finds himself trying to get next to a gay woman who looks like a man. Even his Japanese shoes fail him.

Fierily imperious roots from 1998, for Opera House. With Mikey General and a dub; and a show-stealing toast from label-boss Buccaneer.

Lovely, wheezing roots, with the same charming frankness and male vulnerability as Jux’ She’s Gonna Marry Me.
Great tunes to spin at wedding parties (cut with Pablo’s Bells Of Death).

Recorded under the name Bumpy Jones, for Jerry Brown’s Summer label in Toronto (same Upsetters family tree as Bullwackies and Half Moon).
Ramshackle, tottering, bloodshot; brilliant, freely creative and compelling.
The killer dub is entitled Jah Jah Symphony In B Minor. Pretty droll.

Beautifully sung protest against police violence, over a tight Jammy’s rhythm, from the same period as Folly Ranking.
With an alternative mix, and two dubs, foregrounding the brilliant drumming.

Chilled, elevated, hypnotic, move-on-up grooving, out of the Miami reggae underground.
“I know how / to milk a cow.”

The classic digital destroyer, recorded at Aquarius in 1987.
Cyaan be no loefah.