His first recording, originally released in the mid ‘70s on the Percival label, and recorded at Dynamic Sound with the Now Generation Band. Nice and chunky.

Only an unmissable next dub of the titanic Tell Me That You Love Me rhythm, for crying out loud.

Excellent uptempo digi, with burning horns and a decent dub. No sitar and tablas, unfortunately.

Mesmeric, spare, funky, forward-looking dubs led by the Soul Syndicate drummer.

Winston’s daughter, on a vintage Channel One rhythm; produced last year by Franklin ‘Steamers A Bubble’ Irving. Straight to the head of all nationalists and xenophobes.

A rockers update of Bob Andy’s almighty scorcher, mimicking Marley’s yodeling vocalese for extra authority.

Magnificent, extended interpretation of his own Rastaman Camp classic for Studio One; this time with Niney at the controls. More trenchant and purposeful, less ecstatic. Burning, jazzy horns stand in for the nyabinghi drums of the earlier cut. Freddie slays it. ‘Throw away your folly.’

Not a best-of compilation, this is the great singer’s fine fourth LP, squaring up to Roots in 1977, with the Revolutionaries.

First time on 45 for this excursion on the heavy Roots Radics rhythm used for Barrington Levy’s Englishman.

Same tough Radics rhythm used by Al Campbell for Fight I Down. Gotta be Scientist at the desk.