The return of Ramon Judah (from the first ever Tuff Scout).

An upful, radiant, chugging version of the McFadden & Whitehead, by way of Harry J, strung out on flute and Syndrums.

Rock ‘n rolling Reid. With a Little John.

Wicked early-eighties Wackies, unsteady and moody, with a Hudson connection.

Irresistible mid-eighties dancehall vibes from Music Mountain Studios.

Early-eighties UK roots fire originally rolling out of Peckham in South London, on the Kim label, by way of Jay Dees record shop in the High Street.
Both sides are deep, reverberating, hypnotic, zonked, dread, Wackies-style murder.

The CD adds the Majority Rule album, also from 1978.

Family Man and Jimmy Riley had worked together in the late sixties — a Hippy Boy and a Unique — way before this terrific collaboration in tough, anguished sufferers, woozy with the natural mystic, around the same time as Cobra Style. Signature Wailers music-making seals the deal, with classy, burning horns.

Sublime, masterful singing — poetic, polyphonic, evocative sufferers — over a stately and atmospheric Java excursion, more sombre than mystical. Super-soulful. Ace.

This essential reggae LP was recorded at Randy’s and the Black Ark, and originally released in 1975 on Black World. Powerful songs, steeped in no-messing revolutionary socialism, beautifully delivered by Max Romeo at his peak, clear as a bell, with expertly lean production by Bullwackies’ Clive Hunt (besides Pete Weston and Lee Perry himself). The CD adds a heap of dubs, and toasts by Prince Far-I and I-Roy.

“Got to clean up your hammer and sharpen your sickle… In this time of revelation… Dread… Coming from high places where there is no screw faces… Selfish barbarism has got to stop.”