Curtis Mayfield, every way but loose. A version of The Impressions’ classic marks PK’s first recording with Bunny Lee; and Glen Adams moodily rides the same rhythm Lee used for Slim Smith’s cover of Gypsy Woman, on the flip.

Tough, lovelorn rock steady, with tasty organ asides. The flip is a lovely revive of the signature tune of the great JA calypsonian Lord Flea, bossed here by Lennie Hibbert.

Great early-eighties Channel 1 excursion on the same version of DEB’s Revolution rhythm as Barrington Levy’s Black Rose.

Conscious lovers — Paulette’s own upful, considered advice, delivered with fresh, youthful persuasiveness, and deadly horns. Another killer one-away.

Sweet, sweet sufferers on Tommy McCook’s lovely Schenectady’s Shock rhythm, featuring Augustus Pablo on glockenspiel. (‘Shock probation’ is an alternative to prison in Schenectady County, New York.)

Heartfelt, blessed early-eighties Maxfield Avenue roots, in short supply from the off. Pressed from the original stamper, Digikiller-style: a few clicks at the start can’t test rudie.

Dapper 1967 rocksteady, previously unreleased. Eddie also recorded as a duo with Alton Ellis — Alton And Eddy.

Vintage, discursive, witty-and-wise dancehall toasting by the Metro Media Sound deejay and Jammys trooper; originally released on his own imprint.

Lovely, upful, Chi-Town, rare groove vibes, with falsetto singing, horns and chorus. Produced by BB Seaton;  originally out on Golden Heart in 1974.

An excellent Echo Minott LP for Jammys in 1981. Sly and Robbie, Deadly Headley, Winston Wright and co. The opener is a killer next take of the awesome Open The Gate Bobby Boy rhythm.