Sensational fusion of modal jazz and flamenco, with members of Tete Montoliu’s group, and the mighty Paco DeLucia, dazzling on electric guitar. Hotly recommended.

Wayne Shorter, Frank Strozier, Lee Morgan, Bobby Timmons, Bob Cranshaw, and Louis Hayes taking turns with Albert Heath. The compositions are all Shorter’s.

Mostly quartet recordings, featuring Herbie and Ron Carter, from 1969, with Gene Orloff taking care of strings, and Jerome Richardson the woodwinds. Sonny Sharrock joins in on the Laura Nyro cover.

Mono.

Radiant, probing piano-trio-jazz by this celebrated ensemble, reaching out in all directions from bluesy, funky, South African roots.

‘It just came down to playing some tunes that we like and we can flow with, so that we can be inspired and express ourselves in a very natural organic way,’ says Kyle. ‘We walked away from the from the studio feeling like – you know, we actually really enjoyed playing this record!
‘With this record, I felt less attached to any sort of predetermined concepts except that we would play some music that I wrote that we like – a selection of things that we like to play. It felt like a bit of a tonic – every musician gets a chance to breathe through the music, and the music just flows and moves as organically as we could make it.’

Ten Shepherd originals, plus a reading of Massive Attack’s Teardrop and a deconstructed take on Journey’s Don’t Stop Believing.
The album’s title nods to William Kentridge, with whom Shepherd collaborated on Waiting For Sybil.