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With Freddie Hubbard trumpet, Herbie Hancock piano, Ron Carter bass, Joe Chambers drums. 1965. Miles Smiles kind of thing.
Fresh from his stint for Miles, the saxophonist with Tony Williams, Ron Carter and Jaki Byard in 1964 — meshing the great jazz tradition and the avant-garde in his own path-breaking way.
‘Classic Vinyl Series’.
‘Classic Vinyl’ series.
‘Classic Vinyl Series.’
‘Classic Vinyl’ series.
‘Classic Vinyl.’
‘Classic Vinyl Series.’
1964 masterwork with Freddie Hubbard, Herbie, Elvin Jones and Ron Carter, tersely melding avant, modal and bop. “Wild flowers and strange, dimly-seen shapes… I was thinking of things like witch burnings, too.”
‘Classic Vinyl.’
From 1956, recycling the previous year’s Jazz Messengers, subbing Louis Hayes for Blakey. Apparently Silver wasn’t planning on becoming a bandleader, but the success of Señor Blues propelled him forwards. Hank Mobley and Donald Byrd in full effect.
Featuring the almightily beloved, filial jazz standard.
Stevie nicked the horn riff for Don’t You Worry ‘Bout A Thing. (Steely Dan and Madlib followed suit.)
The great pianist in between bands in 1963-4, with Joe Henderson and Carmell Jones. Monumental hard bop; a key Blue Note.
‘Classic Vinyl Series.’
From August 1965, pitched between the sessions for Song For My Father and Cape Verdean Blues. Both classic numbers are here, in scorching renditions. Twenty-year-old Woody Shaw announces himself in fine style on the helter-skelter opener Kicker. Joe Henderson plays a blinder in Silver’s shows around this time, gloriously cutting loose on the hits. You need this LP plus the Ezzthetics CD Live New York Revisited, which dovetails nicely. Hot stuff.
‘Classic Vinyl’ series.
Unmissable Jimmy Smith. With Stan The Man and Kenny Burrell, the perfect foils, in 1963.
The LP is in Blue Note Classic Vinyl series: ‘all-analogue’, mastered by Kevin Gray from the original master tapes. The ‘Ultimate HQ CD’ is from Japan, using the recent Craft transfers and mastering.
With Cannonball Adderley, Duke Jordan and co.
Kicking off with Tribute To Brownie; and extending his tradition of hard bop trumpet-playing.