‘Classic vinyl.’

In the ‘Blue Note Classic Vinyl’ series.

His first quartet session as leader — with Herbie, Joe Chambers and Bob Cranshaw. Seven BH originals and Maiden Voyage. A kind of breather, in amongst his experiments at this time; relaxed, gorgeous and atmospheric, with brilliant playing.
Warmly recommended.
‘Classic Vinyl series.’

From 1969, this first collaboration with Harold Land — questing but chilled post-bop — is probably the best.
Steeped in the compositions of Joe Chambers, the closer Pompeian is a tour de force; opening as a waltz, detouring into moody marimba.

With Herbie, Joe Chambers and bassist Albert Stinson in 1967 (after Happenings). Smart, swinging, affective stuff. Theme From Blow Up gets a good seeing to.

From 1969, with Harold Land, Stanley Cowell, Reggie Johnson, and Joe Chambers, coolly charting a path all their own, out of the tumultuous decade.

Meditative, devotional music pondering racism and ancestorship, co-produced by Meshell Ndegeocello. Featuring the saxophonist’s usual quartet, plus vocalists for the first time — including Ganavya — who shine.

The flautist’s one BN as leader, from 1970, with Eddie Gomez, Don Alias and Sam Brown, produced by Sonny Lester, mixing funk, jazz, Latin, rock, improv… and a John Jacob Niles. Great stuff.

A brawny, no-piano, three-horn quintet — Dave Liebman, Joe Farrell, Frank Foster — including bassist Gene Perla. Questing, widescreen post-bop from 1971.

With George Coleman, Joe Farrell, Pepper Adams, Wilbur Little, and Candido.