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Reading from his novels Robinson, The Hard Shoulder and The Passenger, and The Museum of Loneliness, with field recordings and bits from the soundtracks of Asylum and Content. Assembled by Mordant Music.

With Lee Morgan, Wynton Kelly and Paul Chambers in 1959, the fabulous trombonist at the threshold of his Jazz Messengers stint, with dates for Miles, Sonny Clark and John Coltrane already under his belt.

Terrific collection of spiritual and gospel songs performed in informal non-church settings between 1965-1973 — mostly guitar-accompanied and performed by active or former blues artists.

Says Mississippi — ‘Some call them the thinking man’s AC/DC & some call them the working man’s Roky Erickson but really there is nothing that compares to Dead Moon. D.I.Y on every imaginable level, brilliant song writing, perfect elemental stripped down playing, honest & intense vocals. It’s all here.’

His only solo album, from 1968, when he was on the Greenwich Village circuit, plaiting together blues and Eastern styles in the same neck of the woods as Fahey, Basho et al, but in his own way.

‘Pianist Bobby Naughton’s debut album was a DIY effort recorded on home equipment and featuring a hand-printed woodblock cover. Released in 1969, the album was distributed independently at concerts and by mail, receiving little attention initially, but over the years it gained a reputation as a rare, sought-after artifact of the period.
‘Nature’s Consort was a collective project, with bandmates Mark Whitecage, Mario Pavone, and Laurence Cook sharing equally in any profits. However, Naughton was the driving force behind the group’s creative direction. He composed much of the original material and selected pieces by Ornette Coleman and Carla Bley for the band’s repertoire. Though Nature’s Consort received little press at the time, it has since been recognized as a significant early document of the loft jazz era, representing Naughton’s disciplined, improvisational approach to music.’

Rugged 1974 dub LP replete with Upsetters and Tubby vibes, including the killer Macca Bee, and a nice vocal-with-deejay Love Me With All Your Heart, and featuring fine fleet flute froughout.

‘A work of intimacy, love, struggle, grandeur and sonic adventure,’ recorded in Geneva during 2013-4.

I really felt the need to work on something like In Major in the moment I started it. It’s instantly joy!
And only back then, during the storm, I thought of working on an album…

1975 sequel to KT Meets The Upsetter At The Grass Roots Of Dub. Here’s Steve Barker in The Wire: ‘a chance to hear it as it should be heard, containing as it does a few moments of sheer Tubby magic, including Unit Dub, a pure and simple drum and bass outing with the bassline mixed up front and twisted through filters while a shrilly splitting hi-hat is left to steer the riddim. Definitely in the top ten of all Tubby dub mixes.’