The two late-50s albums. The idea was to interweave African percussion, Latin American voicings, and the reeds and horns of US jazz. With Ray Barretto, Cecil Payne, Oscar Pettiford and co.

Her amazing masterwork — the last word in raunchy hard funk, with Anti Love Song, of course, and three decent bonus tracks. Props to Sly Stone’s drummer Greg Errico, and Larry Graham. BD, so BaaaaD.

Thrilling primitive gospel from Alabama. Fuzzy, loud, dissonant guitar somewhere between Pops Staples, John Lee Hooker and the outsider R ‘n B of Hasil Adkins. True testifyin’ magic, and highly recommended.