Conscious lovers — Paulette’s own upful, considered advice, delivered with fresh, youthful persuasiveness, and deadly horns. Another killer one-away.

Ace mid-seventies roots and dub. Doomily austere and on-point, with both piano and organ, crisp high-hats, and and wickedly effective backing vocals.
An unmissable one-away, produced and arranged by Denton as the solitary release on his own label.

Leroy Burgess & The Fantastic Aleem Brothers.

Paul Whiteman aka Paul Blackman with a self-doubting, heartfelt lover’s lament, with moody, Sounds From The East backing vocals, over a deadly rhythm. Correctly matched with its masterful dub, too; subtler and gentler than the Tubby’s excursion on Meets Rockers Uptown.

Killer, mournful roots. Plus Pablo on xylophone, over his own awesome rhythm.

Olive ‘Senya’ Grant makes Horace Andy’s Please Don’t Go her own.
Family Man at the controls, on Clive Chin’s ticket.

This Rebel Music anthem is for us the prime example of Bob Andy’s songwriting genius.
The perfect accompaniment to following your own path in life. Non-conformity set to music.
The defiantly carefree scatting at the end is killer: the coup de grace.
What a record.