Beautifully-sung reggae-jeggae sufferers.
With a vibesy instrumental on the flip, featuring what sounds like a wooden flute.

A sweetly Christmassy, party-rocking rework of the William Bell / Booker T original.

A fat, wide, brassy cover of his idol Otis Redding. Plus an ace, driving, vengeful Reggae Boys, on the flip.

Head-to-head Bunny-Lee-supervised knees-up-mother-browns.

Lovely singing by the Hombres over a limber, spaced-out Upsetters rhythm you could listen to for hours. The dub attenuates the political reasoning with cruel brilliance.

Sweet rocksteady — expertly arranged, with boss guitar, horns and harmonies.
“We’re going to put it on… we are loaded… (long pause)... with soul music.”

Bumping, soulful ska. Plus Tommy McCook’s brilliant Goldfinger, on the flip.

What a tune. A surging, early-seventies Soul Syndicate rhythm, with a fulgent trombone solo; and succinct, profound reasoning from the Don, at his very best, about thinking for yourself. Rebel music to live by; as clear as a bell. That’s a tough Sleepy on the flip, too. Killer.

At his best in this call-to-arms, originally released on Black Art in 1977; but it’s all about Lee Perry’s genius at the desk. Stunning dub.

Stone killer Californian funk from 1972, raw and banging, with juddering bass, two tough breaks, and desperately soulful, utterly compelling falsetto pleading.
A proper reissue this time around, courtesy of Ubiquity.

Recordings of an owls nest throughout a nesting season in the spring and summer of 1978, with Viktor himself telling the story of an owl family. Originally planned to fit on a 7” record, but never released till now. The booklet includes Danish and English translations of the original French narration, illustrated with a series of Viktor’s own photographs of the owls.