Numinous outernational jazz recorded in Stockholm in 1972 — DC originals, and covers of Terry Riley, Nana Vasconcelos, Abdullah Ibrahim, Pharoah Sanders and Leon Thomas.

Wonderful early recordings, some of his very best, from a small club, six yards by twelve, in 1973.

His first professional studio session — in a cupboard set up to do jingles — produced many of his most famous sides and definitive versions. Stuff like Part Of The Problem, Bloody Knuckles, Teen Routines.

Bangers drawn from the bootleg compilation LPs — ‘pirata’ — which were all the rage in 1980s Mexico City, The hottest, rarest hits from Peru, Ecuador, Colombia, and beyond — edited, tweaked, EQ-manipulated and pitched-down, to suit the sonideros running the city’s mobile soundsystems.

Quality sweet soul, ballads, thumping dancers, girl-group and the rest from Abe Epstein’s San Antonio label, late-1960s. Curtis and co in the air. Fine singing, big drums, strong horns, sophisticated arranging.

Profiling producer Theppabutr Satirodchompu — the first in a series of albums celebrating the key-players of modern molam music, from Northeast Thailand. Limited vinyl from Light In The Attic.

Saxophone, clarinet, tarogato, frame drum, vocals.

No-shame housey Tsonga-disco and hands-in-the-air rave banged out on Korgs and Ataris in 1994 South Africa. It sold tons, rocking stadiums from Liberia and Sierra Leone to Namibia and Mozambique.