‘an exquisitely poignant, evocative record’, Daily Telegraph; ‘wonderful… album of the year’, Sunday Times; ‘simply a classic album. Music by the people, for the people,’ The Voice.

The second half of the CD.

The original album cut AAA (fully analogue) from original master tape; and a bonus LP including previously unreleased alternate versions and outtakes from the recording sessions.

Greetings From Nittyville.

Twenty-one songs, running right back to 1971: assured, lovely, intelligent, good-humoured singer-songwriting, mixing up Americana, folk, pop, art rock, and gentle experimentalism.

The two dubstep pioneers at the top of their game. Truly an album, the music is multi-levelled — dark as anything at times, but engrossingly varied and emotionally shaded, always on the move.

Including a disinterment of his great song Burial.
‘What a big disgrace, the way you rob up the place… everything you can find, you even rob the blind. Now we know the truth… taking people’s business on your head, might as well you be dead.’
The second LP contains the dubs.

‘The bad influences’, from Bogota, with their third album for us: twenty-eight gorgeous variations of saudade, in a warmly acoustic, post-punk take on Tropicalismo — impromptu, snapshot and sublime.

At its darkest and most driving. The group is clear and unanimous — this is their best yet.

Original copies of the 1987 double-LP: OC on one record with Don Cherry, Charlie Haden and Billy Higgins; on the other with Prime Time… Bern Nix, Denardo, Jamaaladeen Tacuma and co.

Wonderful early recordings, some of his very best, from a small club, six yards by twelve, in 1973.

His first professional studio session — in a cupboard set up to do jingles — produced many of his most famous sides and definitive versions. Stuff like Part Of The Problem, Bloody Knuckles, Teen Routines.

Bangers drawn from the bootleg compilation LPs — ‘pirata’ — which were all the rage in 1980s Mexico City, The hottest, rarest hits from Peru, Ecuador, Colombia, and beyond — edited, tweaked, EQ-manipulated and pitched-down, to suit the sonideros running the city’s mobile soundsystems.