Magnificent do-over of Dennis Brown’s classic Foot Of The Mountain. A TG Binns production from mid-seventies New York. Murder.

Trippy early-70s folk-jazz-soul from guitarist Ernie Calabria and singer Barbara Massey (back-up for Cat Stevens, amongst others)  — orchestrated by Deodato, with Keith Jarrett amongst the guests.

Another five-star, stone classic. Check his bass clarinet scorching into the Monk tribute, to start. Fire! The rhythm section — Anthony Williams and Richard Davis, Stravinsky’s favourite bassist — is stupendous.

The two 1961 New Jazz masterworks, with Mal Waldron, Ron Carter, Booker Ervin and co.

Still sealed.

Killer.
Fire Music, salsa-style. Dazzling, in-your-face Latin jazz from 1971, steeped in Afro-Cuban tradition, and blazing with political militancy. Palmieri’s signature hard trombone sound is augmented with baritone saxophone, organ, trap drums and electric piano, and Monk and Tyner come more to the fore in his own playing.
According to percussionist Bobby Sanabria, the opener La Libertad Lógico was ‘an anthem for young Puerto Ricans like me.’ Drummer Nicky Marrero says that Palmieri’s use of the snare drum was designed to emulate a machine gun. Freedom is the only sensible option, declares this terrific music. Revolt.
Ismael Quintana recalls that the title track, ‘of all the songs I recorded with Eddie Palmieri, this has to be the most influential. That song was played and requested everywhere we would go in Latin America… The lyrics were about trying to cope with the injustices in the world. It meant let’s get out of this crazy mess and so much negativity that we live in, and let’s go to the mountains.’
Ronnie Cuber and Charlie Palmieri are here… Quintana and Marrero… and Chocolate Armenteros, one of the greatest trumpeters ever to walk the earth.
A classic. Hotly recommended.