The debut LP by the godfather of rocksteady, from 1967; choca with many of his signature recordings. Stone-classic songs over cornerstone rhythms, like I’m Still In Love With You, I’m Just A Guy, and Get Ready.
Crucial bunny.

Gorgeous…and backed with rudeboy anthem A Man Of Chances.
Two counts of murder.

‘You think you can hold me down, you think you can tie me down… I’m a man for chances.’

Absolute murder.
A searing, haunting song about abuse, bitter disappointment, and heartbreak, set to a tough, chunky Jimmy Radway rhythm, with edgy organ and dread trombone.
Hortense Ellis is rawly, indelibly authentic: this is her best record by miles.
Plus some stone-classic Big Youth on the flip, ecstatically riding a lethal dub of the same megaton Fe Me Time rhythm.
Killer.

First time out for both sides, including dubs.

At his best in this call-to-arms, originally released on Black Art in 1977; but it’s all about Lee Perry’s genius at the desk. Stunning dub.

UK soundboy frighteners from 2006.
Common Ground playing trumps.

First time out for this Paragon’s feeling excursion on the same Java re-lick as Roman Stewart’s Rain A Fall.

King Culture roots missile much-favoured by bombardier Shaka.

Angry, tear-up digi, both sides.
Two scorchers from 1989; blazing out of Annotto Bay, on the northeastern coast of JA.

Two great sides: MF in fine sufferers style on a flinty Roots Radics version of No More Will I Roam (though you can’t refine Niney); and a vibesing Rockfort Rock from Ranking Joe, on the flip.

This classy lovers was Sharon’s breakthrough, fronting the Now Generation band for Geoffrey Chung in 1973, in an achingly regretful Armstead / Ashford / Simpson song about female disillusionment (laid waste by Cilla Black the previous year).