Wicked little minor-key organ instrumental, with a killer intro and rare toasting by Ramon The Mexican — resident deejay of Harriott’s Musical Chariot Sound System — who later changed his name to Ambelique.

Brilliant jazz lyricism, in the style of Kenny Burrell, by the thirty-three-year-old, at an impromptu 1965 session in the Federal Studio, with pianist Leslie Butler, drummer Carl McLeod and bassist Stephen Lauz.

Instrumentals in ska, mento and other Caribbean styles recorded in 1966, at the threshold of rocksteady. The only one of his eight Federal albums to feature ska. Super-fine LP from Dub Store.

Fire! The Federal musical director walks it like he talks it. Blazing horns and jazzy brilliance all round.

The best of Ern’s sixties LPs. A lovely bunch of rocksteady instrumentals, featuring a cool and deadly Summertime, bumping versions of Hold Me Tight and Flamingo, a moody Story Book Children, some bluesy honky-tonk, and the far-eastern stylings of Sling Shot, to close.

Rock ‘n rolling Reid. With a Little John.

The fledgling Wailing Souls, rocking steady but broken-hearted in 1966; backed with the perfect ska antidote, a previously-unreleased Hopeton Lewis pick-me-up.

Winston Matthews, Lloyd McDonald and George Haye — Wailing Souls to be. From 1966, this is classic vocal rocksteady, one of the certified gems in the Merritone catalogue. Backed with unreleased ska.

Family Man and Jimmy Riley had worked together in the late sixties — a Hippy Boy and a Unique — way before this terrific collaboration in tough, anguished sufferers, woozy with the natural mystic, around the same time as Cobra Style. Signature Wailers music-making seals the deal, with classy, burning horns.

Routinely passed over, King Edwards ska is for the gods, so a phase of Dub Store reissues is a mouth-watering prospect.
This opening salvo is low-slung, moody, trombone-led fire.

The leader usually goes by the diminutive Ron, reserving Ran and Rad for his Pantomine sides. He was an Alpha Boys alumnus, a Soul Brother after Don D’s departure, and an Upsetter for Blackboard Jungle.

Wayne and Larry Douglas’ flip is the A-side of the original Rio 45, from 1965: a stomper illumined with sweet lyrics about suffering, gratitude, and fidelity.