Excellent dub set originally released in 1988, based around Tetrack’s classic Let’s Get Started LP, from nearly a decade before. Roomy and reverberating, with synths preferred to melodica.

The LP is from Only Roots.

Classy digi dub from 1987 — the living, but chilled and de-populated Pablo sound-world — with killer dillers like Raggamuffin Year and Seven Seals on the desk.

Cutting his teeth at Impact! with Clive Chin.
The Heptones, Dennis, Swing Easy; an unforgettable lesson in dub, over the killer Ordinary Man rhythm.
‘Leave the studio, sah!’ ‘Leggo dat an hold dis.’ Listen everything.’
Crucial crucial crucial crucial.

First time out for this wildly raw dubplate, sister-recording to the Pablo master-rhythm, shot through with other-worldly incantation.
Surely that’s Family Man stalking a sunken cavern, and his bro battering all seven shades out of his drum-kit, like Meters on fire; and Chinna on guitar, glazed and violent. The mixing rears up right in your face.
Producer Gussie Clarke says Theophilus ‘Easy Snappin’ Beckford is playing piano, with the front removed so he can strum the strings (like he finally snapped) — but he credits the work overall to Augustus Pablo.
Transferred from acetate — fuss-pots don’t grumble, just be humble — though the flip brings a clutch of criss, unmissable alternates, direct from Gussie’s tape-room (where the files are entitled ‘Classical Illusion / The Sun’).
Heavy, heavy funk. Simplicity People dug in. Stunning.

Last few.

‘An absolute must,’ as Steve Barker writes in The Wire. ‘The main Attraction is the dubplate mixes of the Jah Shaka power play Jah No Parshall, here retitled Gates Of Zion. One astonishing dub mix features vocals from Prince Mohammed aka George Nooks in his early deejay guise. Chopped from the lyric and dropped into the chasmic dub mix, the phrase ‘heavy as lead’ would have made an apt title.’

A baker’s dozen of rare or unreleased dub instrumentals by Augustus Pablo at the height of his powers, mixed at King Tubbys.
First the set of Prince Philip dubplates from Digikiller, stateside; now this from Only Roots in France.
Biff!... Baff!
Knockout stuff.

CD from Clocktower.

Dazzlingly brilliant, pioneering dub from 1975, laden with genius, fresh air, good humour, and strangeness.
Woman’s Dub is astounding, still — a dub of Jimmy Riley doing Bobby Womack’s Woman’s Gotta Have It. ‘She’s gotta know she’s not walking on shaky ground,’ run the lyrics — amidst an awesome musical evocation of the far end of the Richter scale.
Hotly recommended here at HJ for decades.

Dub counterpart to the Experience LP, with assistance from Prince Jammy.