Copper-bottomed rocksteady do-over of Take Five, by Buster’s go-to saxophonist. The title is nicked from a comedy film directed by Norman Jewison, out a couple of years beforehand in 1966.
Plus Glen Adams having a not so shabby go at an Eddie Holman, on the flip.

Extended, with dub.

Agony aunts Clifford Morrison and Dada Smith from The Bassies, with George Blake replacing Leroy Fischer, in 1969. Cornerstone moonstompers, both sides.

Magnificent, militant roots with the heart of a lion. Bunny’s greatest record under his own name, much superior to the version on the Liberation LP, this was originally released as a UK disco 45 in the early eighties.

Heavyweight, apocalyptic Bunny, with a burial b-line, burning horns, masterful dub. By a mile the best thing on Blackheart Man.

One of the very greatest reggae LPs of all time. Sublime singing; deep, passionate song-writing; tough-nut Radics; Junjo and Scientist at the desk. Packed with killers. Utterly essential.