Crucial Gil Cang re-do of the eighties classic, with the man himself at the mic.

‘Perhaps the first time he has chosen to showcase the full range of his skills. The set is intoxicatingly rich and, with a couple of exceptions, largely downbeat… Sonically there’s much more variation — if not in the pace of the riddims, then certainly the instrumentation and textures — making it St. Hilaire’s most approachable album for non-dub-techno aficionados… A modern master whose importance and influence can now — though long overdue — be fully recognised’ ((Steve Barker, The Wire).

The definitive version of this sufferers’ anthem, in the best format, with a killer dub following up the deejay cut on the flip.

A short-run reissue of this excellent roots production by Carlton Lewis. Same singer as Jazzbo’s Step Forward.

An uncompromisingly deep, rugged, rootical collection of dubs and instrumentals; funky to the max.
A terrific compilation. It’s a must.

Stuffed with staggering selections, comprising maybe our favourite compilation in this mind-boggling series. Deep, hypnotic, mystical music, often a bit wasted; featuring several extended 12” and 10” mixes, sparkling with electronic effects. Almighty sides like George Dudley’s Gates Of Zion and Lloyd Robinson and Devon Russell’s effervescently jazzy Push Push, sublimely channelling Curtis.
It’s a must.

An expert sampling of the original Studio One dub LPs, plus a couple of wild cards.