The ineffable instrumentals and dubs of Burial Mix numbers 6 to 12.

Burial Mix numbers 6 to 12: classic after classic, like King In My Empire, Queen In My Empire, We Been Troddin’...

See Mi Yah remixes. A triumphant series finale.

A brilliant, taut take on vintage Wackies, there on the flip.

Their epochal 1997 masterpiece inaugurating the Rhythm & Sound label.
Half an hour of judge-long-sentence steppers.
A stone masterpiece of modern dub, towering over the field till kingdom come.

Irresistible mid-eighties dancehall vibes from Music Mountain Studios.

Early-eighties UK roots fire originally rolling out of Peckham in South London, on the Kim label, by way of Jay Dees record shop in the High Street.
Both sides are deep, reverberating, hypnotic, zonked, dread, Wackies-style murder.

Family Man and Jimmy Riley had worked together in the late sixties — a Hippy Boy and a Unique — way before this terrific collaboration in tough, anguished sufferers, woozy with the natural mystic, around the same time as Cobra Style. Signature Wailers music-making seals the deal, with classy, burning horns.

The CD adds the Majority Rule album, also from 1978.

Sublime, masterful singing — poetic, polyphonic, evocative sufferers — over a stately and atmospheric Java excursion, more sombre than mystical. Super-soulful. Ace.