The CD is from Fontana / Decca France; with a sixty-page booklet.

‘One of the dozen albums that anyone interested in the outer limits should own, or be owned by. Because it cleaves closest of Miles’ masterworks to funk groove and rock impact (Davis was trying to reach out to a young black audience), it’s easy for the jazz novice to get into. But once you’re into it, it’ll take you as far out as anything Davis (or anybody else) ever recorded’ (Simon Reynolds).
‘The first hip-hop/house/drum’n'bass/breakbeat album I’d ever heard’ (Greg Tate).

With Keith Jarrett, Jack DeJohnette, John McLaughlin, Airto, Gary Bartz, Wayne Shorter — different lineups around 1970 — running jazz into Sly and JB and way out the other side.
Vinyl from Music On Vinyl.

Pulling together a couple of Prestige 10”. The twenty-eight-year-old with Horace, Lucky, JJ, and Dave Schildkraut. (You remember Dave.)

His first proper LP, recorded in 1955; with Red Garland, Oscar Pettiford, and Philly Joe Jones.

Mono LP from Music On Vinyl.

An afternoon in Osaka, 1975. With an On The Corner kind of gang — Sonny Fortune, Pete Cosey, Reggie Lucas, Michael Henderson, Al Foster and Mtume. ‘The greatest electric funk-rock jazz record ever made’ (Allmusic).
LP from Music On Vinyl.

The LP is Mono.

His neglected 1970 masterpiece.
The first side brings into focus the best things about Bitches Brew, with lethal menace; the second lays out a blueprint for Ambient and Fourth World.
Hotly recommended.

From 1957… with Monk and Milt Jackson on the title-track; Rollins and Horace Silver on the rest.

LP from Music On Vinyl.

‘Classic Vinyl series.’