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Tony Allen / Moritz von Oswald / Wareika Hill Sounds
Ole Remix / Reggae Land Dub
Honest Jon's Records
Deep Berlin steppers. Dubwise traces of our original Lagos recording — the percussion of Yinka Ogunye, the singing of fifties palmwine legend Rolling Dollar, Oscar Olimbi’s guitar lick — blend in with Moritz’ own warm Oberheim voicings, additional drumming, and cool-and-deadly rhythm track. It’s a tough, masterly dance record in fine Rhythm And Sound style (evoking vintage House, too) — which during its ten-and-a-half minutes seems to ponder time elapsed and journeys undertaken.
Reggae Land Dub is the thumping, pared-down dub of Wareika Hill Sounds’ rootical rework of Ise Nla. Magnificent trombone and percussion; expert, classical JA mixing. Brings to mind the versions of Black Man Stand Up Pan Foot.
Superb, revered version-excursion in the grand tradition of Tempo Explosion. Willie Williams kicks off imperiously, on a classic Rhythm & Sound rhythm adroitly evoking Niney’s way with horns. Sugar and Tikkiman take a turn, besides Berlin faces like Cotton and Rod Of Iron. No one puts a foot wrong.
The ineffable instrumentals and dubs of Burial Mix numbers 6 to 12.
A brilliant, taut take on vintage Wackies, there on the flip.
Their epochal 1997 masterpiece inaugurating the Rhythm & Sound label.
Half an hour of judge-long-sentence steppers.
A stone masterpiece of modern dub, towering over the field till kingdom come.
See Mi Yah remixes. A triumphant series finale.
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