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The one-hundredth Trilogy!
Hats off to an amazing, uncompromising run of killer music and lavishly brilliant artwork. Bangers and magic like dirt.
21 gun salute.

A stupendous haul of sound-system specials and inspired experiments conjured from some of the greatest reggae rhythms of all time, from the inner sanctum of King Tubby’s studio in the mid-seventies (where Philip Smart was second engineer).
Seething with lethal touches of Tubby; dotted with head-spinning walk-ons for Hugh Mundell, Johnny Clarke, Jacob Miller and co; steeped in the genius of young Augustus Pablo, Smart’s childhood friend.
A staggering turn-up. Utterly crucial.

A thought-provoking, deeply enjoyable consideration of displacement and dislocation, and abiding but adaptive cultural memory, this fourth collaboration mashes expert, haunting samples of the classical Iranian pop of greats like Andy, Hayedeh, and Fereydoun Farrokhzad into tough, quick-fire beat-downs.

‘A never-before-issued live recording of McCoy Tyner and Joe Henderson leading a stellar quartet with bassist Henry Grimes and drummer Jack DeJohnette at the hallowed lost jazz shrine Slugs’ Saloon in New York City in 1966. Recorded by the legendary engineer Orville O’Brien — behind classic 1960s jazz albums such as Freddie Hubbard’s The Night of the Cookers and Alice Coltrane’s Journey to Satchidananda — the tape has been in DeJohnette’s personal archives for nearly 60 years.’