‘Classic Vinyl Series.’

Powerful, fierce free improvisation, crossed with avant-rock, bringing together Steve Noble, John Edwards and Alex Ward. A numbered edition of three hundred, on heavy vinyl, with thick, hand-assembled covers.

Gale-force masterpiece.

With different lineups in 1966, including pianists Ran Blake, Burton Greene and Dave Burrell; and Giuseppi Logan.

Settings of the poetry of Emily Dickinson.

Classic sixties soul and dance from Detroit. The Cool Jerk still does the business. Half arranged by Dale Warren, from 24-Carat Black, soul fans; half by Riley Hampton, who did prime Impressions and Curtis.

Drawn from the hundreds of reel-to-reels and cassettes that Jones — aka The Hurricane, The Fireball — has made of his Southern preaching, raving between speech and song, since 1960. From Dust To Digital.

Originals, and covers of Coltrane, Horace, Shorter and co. Bobby Hutcherson’s Little B’s Poem steals the show, with the great Jean Carn singing. From 1974.

Classy gospel soul, with a drop of funk and a couple of heavy breaks.
Featuring the early-70s Fantasy gang including Bernard Purdie and Richard Tee; The Reflections doing backing vocals; ace horns; Van Gelder engineering.

Country punk from 1985.

45s and LPs spanning the period 1964-1973, including his long-lost album debut. The original material here trumps the folk chestnuts. Alasdair Roberts does Lord Randall a lot better, has to be said.