Magnificent, militant roots with the heart of a lion. Bunny’s greatest record under his own name, much superior to the version on the Liberation LP, this was originally released as a UK disco 45 in the early eighties.

Unmissable, mid-seventies, undercover Viceroys, plus three deadly versions.
A swingeing Niney-style rhythm; superb, swirling dub. King Tubby’s way with the vocal is unforgettable.
It’s a must.

‘If you are poor, you walk in your shoes, you lean.’ Three Unity revive 12s in today, remastered and in spanking new sleeves. Altogether, as a label, the greatest UK digi there ever was.

Three exclusives trailering the Splazsh album, including a carnivalesque house banger from Zomby. Out Detroit, UK bass science and UK funky, cold wave and Kraftwerk… a London thing, mongrel and dashing.

Featuring Norma Winstone.
Club versions.

Knockout Larry Heard; deep and soulful. It carries you back through the years… and away.

Lowdown lap steel and Telecaster collaborations with D. Charles Speer and The Helix, inspired by Link Wray,

Rough, tough, searing steppers from the Meditation, with a killer-diller Dillinger, produced by Isha Morrison — Mrs Lee Perry — and originally out on Orchid.

The Basic Channel maestro takes on Konono. So brawling and bad-minded, dense and intense, and musically expert, it amounts to a ritual humiliation of the genre Dub Techno.

Dazzling house-disco cut-ups, saucily steeped in soul classicism.
All-body coitus interruptus, dozens per minute.

Cold-sweat compounds of art-funk, baglama high-life, horrorama, yacht.

With dubplate mixes.

Two EPs of storming, squinty Shangaan Electro to herald the European tour of Tiyiselani, the Tshetshas and producer Dog, in the summer of 2011.

Her 1982 collaboration with Roy Ayers — classic disco boogie. One side is a full vocal; the other a flute-led instrumental, beefed up for the dancefloor by Ayers, at the mixing desk .