Three exclusives trailering the Splazsh album, including a carnivalesque house banger from Zomby. Out Detroit, UK bass science and UK funky, cold wave and Kraftwerk… a London thing, mongrel and dashing.

Featuring Norma Winstone.
Club versions.

Knockout Larry Heard; deep and soulful. It carries you back through the years… and away.

Lowdown lap steel and Telecaster collaborations with D. Charles Speer and The Helix, inspired by Link Wray,

Rough, tough, searing steppers from the Meditation, with a killer-diller Dillinger, produced by Isha Morrison — Mrs Lee Perry — and originally out on Orchid.

Dazzling house-disco cut-ups, saucily steeped in soul classicism.
All-body coitus interruptus, dozens per minute.

With dubplate mixes.

Two EPs of storming, squinty Shangaan Electro to herald the European tour of Tiyiselani, the Tshetshas and producer Dog, in the summer of 2011.

This was the first in our series of Shangaan homages.
A metronomic, clicking beat to drive you crazy; a kind of Motorik lash — dubwise, midrange; moody strings.
Wry, driving, one-of-a-kind genius.

Fiercely brilliant, slashing, whooping dance music from Oni — all-original, no samples — and a stonking Detroit thumper from the master.

With Ekoplekz and Andres mixes.

A next-level three-tracker, intense and roiling, featuring a mesmeric six-minute instrumental, with Thierno Sarr grooving out on the top string of his bass, adding an elusive Manding flavour to the deep Mbalax mix.

The implacable, alien Son Of Sleng Teng — a beast of of a tune, lumbering and snuffling, one-of-a-kind — bleeping, buzzing, knocking, dripping, reverberating… and unresolved in nine minutes.

Extra to the LP, with a magnificent, epic, head-scrambling remix, more spaced and spooked than the original. Shackleton’s dream liturgy fully unfolds — an eerie, garbled sublimity, a kind of black-magic plainsong.

First time out for this plaintive roots, recorded at Tuff Gong in 1979, and featuring Wailer Al Anderson’s fine acoustic guitar playing.

‘The Dark Of The Psychic Unknown’.