A Bullwackies masterpiece — spooked, reeling roots, saturated in hurt, confusion and resistance, with a knockout Baba Leslie-led dub.

Wicked little minor-key organ instrumental, with a killer intro and rare toasting by Ramon The Mexican — resident deejay of Harriott’s Musical Chariot Sound System — who later changed his name to Ambelique.

A cover of the Gene Chandler.

Excellent, sombre version of The Temptations’ civil rights smash.
Same tune both sides.

Dawn Le Faun with Billy Le Bon, co-singers of The Letting Go and Wai Notes, digging up a modern(ish) parable from deep in their Everlys sack, afore getting down and sliding around on the flip.

A Skatalites charger and a jolt of vintage Ethiopian ska rumpus.

Ace version of The Stylistics’ smash.

Nice gospelized harmonies… with a touch of The Lecture to the flip-side sufferers.

His first recording, originally released in the mid ‘70s on the Percival label, and recorded at Dynamic Sound with the Now Generation Band. Nice and chunky.

Only an unmissable next dub of the titanic Tell Me That You Love Me rhythm, for crying out loud.

Great to have the Saxon man back, in top form on this slug of nasty NW1 digi.

Beautiful mento sufferers for Ronnie Nasralla in 1966. ‘I am the man who fights for the right, not for the wrong.’
People say that’s the first deejay recording on the flip — the wonderful Lord Comic, and his cowboys. ‘Music is real sweet… For your dancing feet.’

The great UK MC retrieves his war chest from the potting shed.
An expert, moody Tuff Scout re-lick, with a haunting new vibes part and lethal effects.

Lovely trodding-on steppers.