Beautifully stark and intense steppers cut of the Heptones classic, complete with two dubplate mixes. All previously unreleased.

Three edgy, hard-nosed Wackies steppers.
The propulsive version of Home To Africa here is new to the world, from the original session tapes; and twinned with a nuggety version dusted down and polished especially for this release by Lloyd Barnes himself.

Stone-classic sexed-up Detroit electro banger. Killer diller.

Four thrilling rounds of rampage, school of Basic Channel.

Ace dubwise techno.

‘Two tracks from early 70s Los Angeles, around the time of his eponymous first LP. Say You is a superb updating of the Monitors’ harmony hit from 1965, given the distinctively sensitive McNeir treatment. I’m Sorry is a self-penned slow-burner that builds a perfect dancefloor beat.’

Just like cream-of-the-crop digi Tubbys. From the New Dance album sessions in 1988, with the Firehouse Crew. Mixed by Leroy ‘Fatman’ Thompson — formerly apprenticed to the King, en route to Jammys — and produced by Bunny Gemini and Tristan Palma. Gregory is desolate and compelling… and the dub is murder.

‘It’s always summer somewhere, but especially so wherever Cheryl Glasgow’s carefree clubber Glued To The Spot gets a spin. An absolute ear-worm from the opening strums, Glasgow’s Sade-adjacent, jazz vocalese sweeps into a warm up-tempo groove, never breaking sweat. Issued on Ross Anderson’s short-lived, London-based Live label, Glued To The Spot swept through the club scene briefly in 1987, embarking for warmer shores when the season changed.’