Two knockout Wackie’s 12” sides, paired together for maximum pressure. Each originally appeared on separate twelves, around ‘85 and ‘80. The A-side is another deadly Sugar shot, one of so many for Wackie’s. Backed here with the more obscure Zion Land, a stunning, shimmering roots chant. Both sides extended mixes.

The original Randy’s version is a desert island disc — and nearly twenty years later this a magnificent do-over by way of the Black Ark, originally released by Tony Owens’ Seven Leaves, in Kensal Rise.

Beau Wanzer and Shawn O’Sullivan.

Two disco classics — Groovin’ You’ and Till You Take My Love (with Merry Clayton) — and the blissed-out jazz-funk of Modaji, featuring Hubert Laws.

Surprisingly the first time on 12” for this brassy, string-laden, modern/Northern crossover classic, more Philly than NYC. Beautifully written by Thom Bell, expertly remixed by Tom Moulton.

The first official 12’ release of these two walloping classics by one of the very greatest soul singers of all time. Undimmed after forty years.

Ace, lonesome digi from 1988, indebted to Tenor Saw, with Johnny Osbourne’s Can’t Buy Love submerged in its DNA. Crisp, driving dub.
Surely ‘Culture P’ would have been a better idea.

Knockout eco-roots. Shaka liked it so much he put it out himself.

Perhaps you remember the French music producer Coni’s record for The Trilogy Tapes.
For the inaugural release of his own label, he presents the debut of a new alias.
‘Inspired by dramatic modern landscapes, and suffused by haunting memories, the record is an attempt to seek beauty in the midst of a chaotic and saturated present. Running over with intense rhythms, flicking hi-hats, fierce voices, melancholic pads and abject distortion, Transperce whips up a kind of industrial catharsis.’

RnB from Bristol, freaked, chopped ‘n’ screwed, but with its sensuality and slickness intact, for maximum dancefloor worries.
Four anonymous, strongly individual commissions from around the world: A1 is dubwise; Hit It Tool runs bumping 2step drums into Bmore breaks; B1 floats pitched-up vocal samples and misty-eyed rave chords, up and away; 2ON calls time with a wan club shuffle.

Ravishing black harmony roots; cheerfully apocalyptic, rhythmically swinging and buoyant, with bubbling horns and stripped dub. It’s a must.

Superb Caribbean disco by the same Trini bros behind the West End boogie classic Touch Your Life. Lithely grooving; expertly arranged.
Presumably the same Glen Miller who did Whey No Dead and How Can You Mend, for Studio One.