‘Girl group greatness, courtesy of the Chicago-based Hutchinson Sisters (with Theresa Davis on this record) and co-producers Isaac Hayes, David Porter and Ronnie Williams. Recording at Muscle Shoals and Stax seems to have added a little grit to The Emotions’ sound, too; this 1971 classic on the Volt label offers the perfect blend of sweet and sassy. Show Me How was the hit, but it’s Blind Alley that made Untouched one of the most collectible albums of its kind: that track’s one of the most sampled in all of pop and hip hop, most notably by Big Daddy Kane (Ain’t No Half-Steppin’) and Mariah Carey (Dreamlover).’

The flautist’s one BN as leader, from 1970, with Eddie Gomez, Don Alias and Sam Brown, produced by Sonny Lester, mixing funk, jazz, Latin, rock, improv… and a John Jacob Niles. Great stuff.

The ‘little devil’ was born in Tunis in 1884 to a Libyan mother and Moroccan dad. The first half of the twentieth century was a golden era in Tunisian music; Cheikh El Afrite its most celebrated artist. As a youngster he became fluent in its mix of classical Arab-Andalous and Ottoman traditions with folk idioms like bedouin and other African melodies, fondo and fezzani, and the festive tripolitain music of Libya. Turning professional at eighteen, he was soon singing for the bey every Tuesday night, at his seaside palace in Hammam Lif. Later, his recordings made him star throughout the Maghreb.

Captivatingly austere, minimal, deconstructed, but deft and in a way intimate.

His 1966 debut for Vanguard, evocatively fusing psych-folk and raga way ahead of its time; also featuring flautist Jeremy Steig and long-time Dylan cohort Bruce Langhorn.
Vinyl from Harte.