With dubplate mixes.
Infectiously spirited do-over of Horace Andy’s Higher Range. In three parts — vocal, toast, melodica dub.
Storming, stomping, insurgent Niney. Stunning record.
‘I think it was 1979, or 1978. That rhythm, I record it at Channel One, and take it to Perry. So when me go down there and record it with Perry, I would have to get it mixed down so it would fit Perry’s 4-track Teac. So this is where now I voice it, and Scratch mix it, mix the voice. Then we put back the rhythm on the thing, and go back down to Channel One, and then Ranking Barnabas mix it. So it’s really Scratch, Barnabas and Scientist work on that song. That’s why you hear Scientist develop the foot and all those… double drumming you see there. It was Sly, Sly was the one who play that drum. Sly, Fullwood, Tony Chin, Chinna, Bobby Ellis, Dizzy the guy that play Riot for Keith Hudson, and Tommy McCook.’
Freddie in his heyday like this was one of the greatest singers in reggae history.
He’s in soaring, inspirational form here, riding a hard-as-nails Niney rhythm.
The organ-led dub is dazzling. Mark Ernestus from Rhythm & Sound recently opened a set with one of its incarnations, at the already-legendary Open Ground club in Wuppertal.
Both sides, classics.
Deadly, seventies, New York roots. Rugged, a little wired.
The basic rhythm-track is Wackies-style. The flamboyant brass chart is jazzier. Moody organ, too. Young Roots himself goes on a bit.
The band backed The Aksumites on their first 12” (Afrika Fe De Afrikan) and gigged around the City.
I Believe this reissue is not properly licensed.
Roots anthem, produced by Tubby for Bunny Lee.
Overproof sufferers by Sweeney Williams, with the Wailers Band.
Ineffable roots and dub by the Prophet, cutting loose on his own unmissable version of the all-time Yabby You classic.
Precious sister-roots.
Dreadnought rhythm, with fiery horns; gorgeous, softly imploring vocal.
Magnificent do-over of Dennis Brown’s classic Foot Of The Mountain. A TG Binns production from mid-seventies New York. Murder.