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Ace early Tubbys digi — stripped and moody — with fine, amusing vocals.
At his best in this call-to-arms, originally released on Black Art in 1977; but it’s all about Lee Perry’s genius at the desk. Stunning dub.
Trenchant political reasoning over his own giddyingly brilliant production.
From 1978; in the same vein as Bafflin’ Smoke Signal.
Inimitable Upsetters genius.
A rockers update of Bob Andy’s almighty scorcher, mimicking Marley’s yodeling vocalese for extra authority.
Superb late-eighties digi, with all the trimmings.
Al Campbell in top form at the mic; classy horns and backing vocals; rollicking rhythm; masterful, frolicsome Niney production.
Spiritualised, easy-grooving and spacious late-seventies roots. Upsetters-style woodblocks, stumpy bass, ace backing harmonies. AT himself is strikingly sincere, determined, hymnal. Jackie Mittoo had a hand in it.
Ruff, rugged, hypnotic, spiritual roots from this startlingly Swiss studio and label, with Half Moon, early Pablo, and stark Upsetter amongst its ancestors.