Keith cut some sides for JA producers in the early ‘70s, before moving to New York. In the first half of the ‘80s, his Lovebird label released mostly his own productions, like Honey Bee Fantasy… slow-burning, mid-eighties boogie, nervy with a delicious outsider wrongness. None other than Charles Earland plays keys; Canadian singer Ann Marie handles backing vocals.
AM bounces back on the PM, fronting the first incarnation of the Roots Radics, including Blacka and Bingy Bunny from the Morwells. Sweetly fragile, tentative singing over a dreadnought rhythm.
Painstakingly sleeved as per the original.

Great early-eighties Channel 1 excursion on the same version of DEB’s Revolution rhythm as Barrington Levy’s Black Rose.

Two songs from the Weh Dem Fah album — Wicked Can’t Run Away and Sleng Teng excursions.

Heartfelt, blessed early-eighties Maxfield Avenue roots, in short supply from the off. Pressed from the original stamper, Digikiller-style: a few clicks at the start can’t test rudie.

A contender for the heaviest dub of all time.
When the Rootical Dubber had a go at reissuing Trevor Byfield and co, many years ago, he omitted this, saying it was just too awesome to mess with.

Two all-time ska masterpieces: back-to-back fire.

Heart-broken, body-rocking, mid-tempo ska. Ace.