Superb late-eighties digi, with all the trimmings.
Al Campbell in top form at the mic; classy horns and backing vocals; rollicking rhythm; masterful, frolicsome Niney production.

Spiritualised, easy-grooving and spacious late-seventies roots. Upsetters-style woodblocks, stumpy bass, ace backing harmonies. AT himself is strikingly sincere, determined, hymnal. Jackie Mittoo had a hand in it.

Rohan Lee for his own Rainbow label in 1990. Spirited sufferers, with tasty muted trumpet and lovely, expansive harmony singing. Recorded at Channel One and mixed at Aquarius.

Ferocious Niney genius.
Tommy McCook leads the swingeing horns, galloping east of the River Nile. Sounds like Dennis Emmanuel Brown, wailing six feet under. A jaw-dropping, no-prisoners Tubbys dub.
Red hot terror.

Magnificent roots from 1996. An expertly dubwise rhythm, with rolling, nyabinghi drums, deep bass, and terrific trombone. Militant lyrics with no let-up; dramatically delivered, channelling Burning Spear and Pablo Moses.

A compelling Spear-style chant over a bumping rhythm, from 2000. Ace.

A mystical roots gem by the vocal group More Relation, founded in New York in 1977. They were one short on the day of the recording, so they renamed themselves for this release only.
Stripped-back, ecstatic, and hypnotic, in the manner of bare-bones Upsetters, by way of Bullwackies. The singing is bathed in the light of Bob Marley and the I Threes. The dub is casually killer. We could listen to it for hours.

Infectiously spirited do-over of Horace Andy’s Higher Range. In three parts — vocal, toast, melodica dub.

A rockers update of Bob Andy’s almighty scorcher, mimicking Marley’s yodeling vocalese for extra authority.

Trenchant political reasoning over his own giddyingly brilliant production.
From 1978; in the same vein as Bafflin’ Smoke Signal.
Inimitable Upsetters genius.

At his best in this call-to-arms, originally released on Black Art in 1977; but it’s all about Lee Perry’s genius at the desk. Stunning dub.