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Charanjit Singh
Synthesizing — Ten Ragas To A Disco Beat
Light In The Attic
Astounding 1982 conjurations of ancient ragas on the Roland TB-303 and TR-808 synths which would define Acid. Pulsating, minimal grooves; a living Indian antecedent of House.
Released in cooperation with Singh’s estate. With a sixteen-page LP booklet containing previously-unpublished photos and two new essays. Remastered; luxuriating over four sides for maximum aural impact.
‘The mesmeric bass lines, the spare simplicity of the arrangements and the constant motion make the whole work a proper piece of electro history, akin to Manuel Gottsching’s E2-E4 for its understated visionary importance’ (Mojo).
Her legendary, heart-wrenching recording for Capitol in 1969; now remastered all-analogue-style from the masters; with a decent booklet.
Stunning solo, acoustic demos of Pale Blue Eyes, I’m Waiting For The Man, Heroin and co.
‘My favourite singer in the place was Karen Dalton. Karen had a voice like Billie Holiday’s and played the guitar like Jimmy Reed’ (Bob Dylan).
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