All three stone classic albums.

Terrific southern soul from the guy who wrote a string of killers as staff at Goldwax, and for Candi Staton and Clarence Carter, at Fame. The Only Way Is Up is his song; and The Osmonds’ One Bad Apple.

A songwriting mainstay of FAME from 1968 to 1972 — monsters like Candi’s Evidence — George was also a very fine singer, unmannered, hurt, open. The first of several volumes.

Clear vinyl.

The 1970 LP — a neglected, heavy-soul classic — with eleven extras, unmissable deep soul like The Love Of My Man, funk like Tighten Up. Watch out, the title-track and come-again Weepers are pretty devastating.

Perhaps her greatest LP, recorded at FAME in Muscle Shoals, Alabama, with Rick Hall and the gang, released by Cadet in 1968. A handful of belters, a couple of Don Covay songs, excellent interpretations of Steal Away and Otis’ Security… the marvellously sympathetic musicianship of Carl Banks, Roger Hawkins, Barry Beckett and co… and the almighty I’d Rather Go Blind.