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The Don in full flight over late-nineties Bunny Gemini. Plus a Yami Bolo, and both dubs.

Gospelised roots, produced by Delroy Collins in the late 1990s, with mixes by the Disciples.

Excellent mid-seventies roots by this singer from Jack Ruby’s Hi Fi.

Second, 1982 album by the loose collective, featuring Prince Far I, Bim Sherman and Jah Woosh, and members of the Roots Radics, Slits and Glaxo Babies. ‘Heavy dread vibes, earthquaking dub and classic deejay chatter, recorded in the flash, heat and studio experimentation of post-punk London.’
With a 24” x 12” fold-out poster insert and digital download card.

Upful, infectious, buzzing dancehall vibes, flirtatiously mashing in lines from Sunfire’s boogie classic Young, Free & Single, over the same murderously bumping digi rhythm as Frankie Wilmott’s I Won’t Give Up.

‘Over 200 full-colour pages documenting Dodd’s vinyl output during the first six years of Jamaica’s new urban music — from Boogie Shuffle to Ska. Presented imprint by imprint and illustrated with over 900 label scans. With sections on Dodd’s Sound Systems and businesses as well as the musicians he used and the live scene in Jamaica.’

Over to Digikiller…
‘Howard ‘Sir Tommy’ Mapp is one of the original guard of New York sound men, playing sound system since 1974. Around a decade after that, he began producing for his newly formed label of the same name. Later in the 1990s he established his own studio, which became a hub of the city’s dancehall scene. In true independent fashion, Tommy covered nearly every aspect of the reggae business himself, like Wackie’s, Jah Life and Philip Smart. We’re proud to finally present the first reissue of the early gems in Tommy’s catalogue and make some more classic New York reggae accessible again. So what better to start with than a new compilation, 100% heaters, culled from long unavailable singles and albums. We cannot recommend this record enough, as Tommy’s early production output mainly falls in two of our most beloved categories — the mid ‘80s sound of Channel 1 as played by the Gifted Roots Band, and the late ‘80s early digital sound. This LP is packed with prime cuts of just such music. Absolutely essential stuff for 1980s reggae heads.’