The Basic Channel maestro takes on Konono. So brawling and bad-minded, dense and intense, and musically expert, it amounts to a ritual humiliation of the genre Dub Techno.

Vinyl selections from CD Volumes 1, 4 and 8… featuring Mulatu Astatke.

Her classic third LP, from 1971, originally released by Odeon Brazil.
‘Gems like Que Bandeira, composed by Marcos Valle, blending funk/soul and bossa/MPB; Esperar Prá Ver, co-written by her brother Renato Corrêa, with its stunning arrangement and an epic bassline that is hard to get out of your head; the archetypal samba soul of Só Quero; and vocal-driven groovy jams like Por Mera Coincidência and Rico Sem Dinheiro, spiced with celestial strings and heavy-duty drums and basslines.’

Originally released in 1978, Wahdon announces this great diva’s switch from traditional to more modern idioms and arrangements.
Three mesmerising songs to start, including Habaitak Ta Neseet Al Naoum (I Loved You So Much I Forgot To Sleep), with ravishing strings and percussion.
Recorded in Athens at the studios of EMI Greece during the same sessions as Zaid Rahbani’s Abu Ali LP, and likewise edging into funk and disco, the second side is something else. In Al Bostah (The Bus), a woman recalls a bus journey with a lover, in scorching heat, to extended, hypnotic, uptempo, funkdafied disco. The title track Wahdon crafts a slower, jazzier setting for Fairuz’ out-of-this-world singing.
Recommended.