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Lovely, hypnotic, rocking peulh music from Dilly commune, Mali, near the border with Mauritania (and the same family grouping as the celebrated singer Inna Baba Coulibaly). Duelling ngonis, calabash, flute, dashes of electric guitar; newly recorded.

Mid-nineties kwaito by Thami Mdluli (veteran of chart-toppers Taboo and CJB, and in-demand producer of the likes of Sox and Sensations).
Tasty, infectious rhythms and synth-work — if the singing is a bit Black Box — with an up-for-it, DIY energy and self-identity encouraged by the momentum of the liberation struggle in this period. “Once Mandela was released from prison and people felt more free to express themselves and move around town, kwaito was becoming the thing,” says Thami.

Tremendous, wild and highly charged music from Crete, completely compelling across a range of moods and styles, with brilliant lyra playing by the leader.

Classic big-band Puente from 1962, including the indomitable scorcher Oye Como Va.

Superlative, thrilling, big-band mambo, cha-cha and guaguanco from 1958, featuring Ray Barretto and vocalist Santos Colon. Essential Latin jazz; the real thing.

Thrilling, stylish Afro-Cuban jazz — heavy on horns and percussion — featuring interpretations of Lush Life, Take Five, and Lullaby of Birdland (with composer George Shearing sitting in).

The greatest singer of his generation presenting the classical music of Azerbaijan, accompanied on the tar lute and the kamancha viol by the Mansurov brothers.

Dangdut, keroncong, jaipongan, rock, pop, disco, as well as theatre, commercials, DJs, news snippets, and other broadcast bits and pieces.

Assorted strange and beautiful pop, folk, and classical music styles — intercut with bits of broadcast staples like synth ballads, hip-hop jingles, and internationally popular songs re-recorded in Burmese.

Pop, pissed-up sages, shout-outs to the missus, comedy skits intercut with Zarma string-playing, Denke-denke mollo from Burkina Faso, Malian kora, the Koran, Bori folk, Tuareg guitar, bits of BBC news…