Brilliant, dazed and skewiff electro-pop from Fact magazine’s label of the year. The Autre Ne Veut is pretty great, too.

Basket-case rock and roll from 1958.

All six singles, twelve sides — dark and visceral garage rock recorded in Lima in 1965-66.

Spine-tingling intimacies from the Maxinquaye singer, voice of Gorillaz and Massive Attack — a personalized songbook, with the spotlight on her gorgeous voice and fine songwriting; uncovered, frank and alive.

Karuna Khayal runnings from 1975. ‘Orchestrated fuzz guitar, echo-drenched percussion, reverbed bass, zithers, assorted taped sounds and vocals that are simply inspired… a must for devotees of Faust and Can.’

Superb songwriting in a dazzling range of styles and voices, from soul ballads to cocktail jazz, the sardonic to the purely heartfelt.

New recordings invoking the grand traditions of Turkish psych with passionate recastings of tripped-out surf, Cambodian rock, Saharan guitar, electric Thai; even a little Sun City Girls post-punk.

It says ‘Volume 1’ on the cover, and this debut is full of promise, but it’s a one-off, from Nigeria, 1973: African styles grooving together with Latin and Caribbean, US soul and funk, and psych rock.

Four members of Sonny Okosun’s band, edging things on in 1974: deep, spacey afro-funk.

The 1971 recording, in the run-up to the Far East Family Band: two long, spaced-out excursions, genuine Eastern psych (if a little Pink Floyd), sparsely beautiful, with electric sitars and various percussion.

Rough, trippy, live recordings made two years after The Truth. Raw mid-70s psych.

Previously unissued underground rock from 1969, Rockford, Illinois.