This debut solo recording of the Hot Chip is a scrapbook of fifteen songs and instrumentals, made in planes, hotel rooms and at home, with bags of charm and inventiveness.

With Sonny Murray in 1996.

Late 1966 recordings for Blue Note and BYG.
With Jimmy Lyons, Alan Silva, and Andrew Cyrille throughout; plus Bill Dixon and Henry Grimes on the opener (from the Conquistador sessions).

A killer Unit: with Jimmy Lyons, Ramsey Ameen, Alan Silva, Jerome Cooper, & Sunny Murray.
Documenting the third of their performances during a residency in New York City, this release follows on from the classic HatHut album It Is In The Brewing Luminous, and the recent Ezzthetics CD Live At Fat Tuesday’s, February 9, 1980.
Wonderful music.

We love this LP; it’s an old favourite. You can hear Teddy adjusting the influences of Hawk and Bird to meet the challenge of Rollins and Coltrane. You can’t go wrong with any of his West Coast albums from 1960-67, for Pacific, Contemporary and Prestige. Classy, bluesy, no frills West Coast jazz; cultured but tasty and with-it. This one has the warmth, purposefulness and swing of a classic Blue Note. Phineas Newborn plays a blinder, too.
Here’s the Penguin Guide: ‘One of the best mainstream albums of its day… beautifully and almost effortlessly crafted.’

Free-flowing recordings made in Pakistan with members of the instrumental quartet Jaubi (including Zohaib Hassan Khan on sarangi).

Mumbles, taking a break from Ellingtonia for his first recording session as leader, in 1955. Killer band, including Horace Silver, Oscar Pettiford and Art Blakey; swinging arrangements by Quincy Jones. The title track is absolute first-degree murder. Don’t miss it.

With Monk.

‘Tezeta were an experimental eight-piece instrumental group formed in Bristol back in 2014. The Ethiopiques series lit the fuse, but the project quickly gathered Afrobeat, prog, and improvisation into a beguiling mix — always evolving and resolving in different ways to what you might expect — with some thrilling ensemble playing rhythmically propelled by two drummers and a percussionist, and pianist Daniel Inzani’s evocative melodies at the centre. They had a cult following among other musicians and were known for wild group solo wig outs, virtuoso musicianship and creative use of unusual rhythm, harmony and melody. They toured across the UK at various venues and festivals including Glastonbury, Shambala and Green Man, before calling it a day in 2023. Seventh Place was originally a private press CDR, released in 2016; mainly sold at gigs.’

‘Absolutely gorgeous from start to finish’ (Deb Grant, BBC 6 Music). ‘Gorgeous mood music with more than a nod to Addis. Lovely tapestries and textures’ (Matt Temple, Matsuli Music).

A classy, rock steady sextet — the rhythm section is Art Taylor and Paul Chambers — presenting four compositions by Mal Waldron.