‘A strictly-rockers intermingling of dubstep and d&b, with heavy bass and darkly atmospheric strings. DJ Sotofett falls out of line on the flip, heading off into acidic and 3D soundscapes.’

Samo lived in Hong Kong for a bit. He rescued a dog and brought him back to Stockholm. He skates but that’s not him on the front. He put together one of the best very records on LIES but this four-tracker kills it dead. Ben UFO’s been rinsing it. The dog’s name is Denzil.

D.K. and Low Jack.

With Intrusion / cv313 remixes.

Another superb EP by deejays Sentena and Spence, combining fresh takes on Berlin-school dubwise techno with grooving, taut, hard-edged house.

Four experiments in Pisan beat science — fleet and swirling at the limits of its dancefloor idioms, but faultlessly grooving with the hypnotic charge of classic techno, and flashing a precious combination of exquisite, confident melodicism and ruthless intensity.
Beautifully presented in stickered yellow sleeves with PVC covers, inserts and stamped inners.

Ace dubwise techno.

The sublime 2001 swansong of James Stinson, of Drexciya. ‘By turns luminous and melancholic, low-key and sensuous, wry and soulful’ (Pitchfork).

Sam Kidel from Young Echo opens proceedings with a beautifully rolling, pastoral re-arrangement of the melodies of South East Of The Mountain, keeping a watchful eye on the original, dread b-line. Then some chilled ragga from O$VMV$M, versioning Skeletal. Finally Helm takes the helm, with a startling re-animation of Bloom, brilliantly tipping the registers of Music For Airports on their side.

The first Premature is by Thomas Boutwood, from South London. Veolia is hazy, nervously minimalist synth hypnosis; Droid is a knees-up, industrial-techno frightener.

Madteo mixes.