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At its most open, shifting and expressive to date. For all the music’s complexity and deep coherence, freedom is the key. At times it grooves hard; at others it’s lush, romantic.
With Tikiman and Marc Muellbauer.
A handful of LPs signed by Moritz!
DJ Nobu & NHK yx Koyxen.
Aka Jan Katsma of Bunker associates Syncom Data, stepping out with his first full solo release in three years. Six feverish, dubwise synth excursions, rumbling with restrained power; with passages as body-rocking as recent Katsma/SD contributions to mixtapes by Dettmann and Stingray, but always verging on acid disintegration.
The first Paid Reach — in collaboration with Ominira; edited and produced by Kassem Mosse.
A fresh set of stripped, rubbery, bass-heavy grooves, to consolidate his Idle Hands debut; seaming FWD-night vibes, and Skull Disco, tribalism and grime.
‘Berceuse Heroique back in the fray with the first of three twelves serenading sound system culture. An invocation of the long-lost spirits of pure, heavyweight, hardcore hedonism.
‘Border Control is a fight anthem against Brexit, fusing the industrial slant of Brummie techno with the jungle techno pressure of the early nineties. The Dillinja-esque bassline of Fortune Teller tolls the death knell for all tin pan speakers. Loose Cables is an uncanny ringer for one of Pinch’s most underrated tunes, The Attack Of The Killer Robot Spiders.
‘Pinch runs the voodoo down one more time. He sounds totally pissed off and more fresh than ever.’
The two dubstep pioneers at the top of their game. Truly an album, the music is multi-levelled — dark as anything at times, but engrossingly varied and emotionally shaded, always on the move.
Extra to the LP, with a magnificent, epic, head-scrambling remix, more spaced and spooked than the original. Shackleton’s dream liturgy fully unfolds — an eerie, garbled sublimity, a kind of black-magic plainsong.
Aka Ricardo Villalobos & Argenis Brito.