A magnificently malevolent two-hander.
The Ekman is a furiously maxed-out piledriver; the Vereker is more Thing than machine, massive and roiling, scorpion-tailed and owl-eyed. The pulverising besiegement; the gory carnage.
Proper warehouse bangers, with a vengeance.

A danceable version of her co-composition with Arthur Russell, In The Light Of The Miracle — retaining trombonist Peter Zummo, and adding a mix by Gifted & Blessed. White vinyl; limited.

Massive bounce to the ounce on the A-side, guaranteed to boing a dancefloor into a vibrational mess.
Four honed earhole sluicers, on the flip.

The Basic Channel maestro takes on Konono. So brawling and bad-minded, dense and intense, and musically expert, it amounts to a ritual humiliation of the genre Dub Techno.

A re-rub of classic Digital Mystikz to celebrate Ancient Monarchy’s fifth release already, laced with oblique, Autechre-style melodiousness, and bass-bin armageddon. Next up, Sweet Sixteen is psychedelic techno-not-techno for early-morning dancefloors, complete with a sleazy EBM/New Beat dub by DJ October.

Classic, rampers, dread, Berlin techno; Basic Channel style.
Judge No Sympathy in session.
All four Mohems so far… scorchers.

Swingeing dubwise techno. Recess is sixteen minutes long.
Terrific; hotly recommended.

Another round of magnificent, epic dubwise techno. Steely and spare but deftly detailed and immersive; uncoiling over fifteen minutes each side. Berliner to the bone.

Zarko Komar aka Feloneezy winging in from Belgrade — by way of Hyperdub — with an EP of hypnotic psychedelia.
Four characteristically intimate, steppers blends of jungle and juke, unfurling into intervals of dub and jazz; axis as nexus, threaded with field recordings, startlingly dotted with song.
Check it out.