Moody, heavy lovers, detourned by FW’s full-throated falsetto. Ace.

Sweet, hymnal, one-away two-parter from Elijah, out in the seventies on the New York label Waricka and in the UK on Ackee. KC White has a version, too; also available from Digikiller.

Nice gospelized harmonies… with a touch of The Lecture to the flip-side sufferers.

Ducking and diving between London and Kingston JA, Winston Edwards cut the Melodian on the monumental Conquering Lion rhythm in the mid-70s, covering Eddie Floyd. Dark, hurting and self-disgusted… bad tune.

Limber bubblers, with some nice, moody vibes-playing, and chewy reasoning from Carlton Lafters, in a Tenor Saw style and fashion.

Roy Reid (a JA customs official) on the politics of national currencies, with a dub getaway to Ruritania — from The General double.

First time out for both sides, including dubs.

Ace, quirky one-away — effervescent singing on a bubbling rhythm, with ticking drums and deft keyboard interjections.

Rasta Cowboy excursion.

Late-eighties Callo Collins production of the Youth Promotion cohort.

Great early-eighties Channel 1 excursion on the same version of DEB’s Revolution rhythm as Barrington Levy’s Black Rose.

Pious sex-pol, on a tuff Billie Jean lick. ‘When you come home, a next man asleep in your pyjamas… and then you charge fi murder, Jah Jah know. The man them a worries but the woman them a problem.’

Heartfelt, blessed early-eighties Maxfield Avenue roots, in short supply from the off. Pressed from the original stamper, Digikiller-style: a few clicks at the start can’t test rudie.

An unnerving ride on Yabby You’s almighty Conquering Lion rhythm — a darkly atmospheric tale of pestilence and the dark arts, our kind of Christmas Carol. Crowning a great year for Digikiller, this is essential.

Heavy lovers, a Kush Dan I production.

Stalag excursion.

His first run-out on the rhythm he later cut for Chopper — another Digikiller reissue.

Three chilled, heavy dubplates deployed by Junjo’s Volcano and Hyman Wright’s Jah Life soundsystems, back in the day, on John Holt’s Chanting rhythm.