Stunning. Crucial Studio One.
Heavy, heavy, heavy roots nightmare about centuries of African enslavement and colonial exploitation by the British, and their mutation post-independence into the new JA ruling class, like a home-grown zombie.
The dub is a total knockout, too.
Killer record.

The absolute bee’s knees in chilled, atmospheric, vibesing reggae.
From the elusive 1980 Studio One LP Showcase, like the terrific flip ‘Oboe’ (presumably a spliffed-up ‘Obeah’).
Beautifully limber, expansive production-work, dubwise from the off, featuring ace percussion, scrubby guitar by Eric Frater, and Mittoo zoning clean out.
Released on its Jack Jones for the first time, and sounding predictably deadly on 12”, though you’ll wish it ran for miles.
Total one-of-a-kind murder.

Stuffed with staggering selections, comprising maybe our favourite compilation in this mind-boggling series. Deep, hypnotic, mystical music, often a bit wasted; featuring several extended 12” and 10” mixes, sparkling with electronic effects. Almighty sides like George Dudley’s Gates Of Zion and Lloyd Robinson and Devon Russell’s effervescently jazzy Push Push, sublimely channelling Curtis.
It’s a must.

Staggering. Beautifully paced and varied, this classic compilation hasn’t aged a bit. Killer after killer, including numerous sides out here for the first time.

‘Vol 1 was mighty fine, presenting rare and deep recordings from Studio One’s mid-70s heyday. Hard to believe the Vol 2 is even better… As with all Soul Jazz material, the vinyl is heavyweight, with fine packaging and good liner notes. Reggae music doesn’t get much better than this: buy immediately and play loud’ (David Katz, Fact).
‘This will be hard to beat in the Studio One series in my humble opinion, amazing stuff. Too many good tunes on here to pick. Check this out you will not be disappointed’ (RYM).
‘Soul Jazz still crank out the best. Non-completist, non-purist, but always 100% killer’ (Mojo).
‘If anything, Studio One Roots 2 is even better than the first volume and has some superb (and rare) tracks’ (Record Collector).

Chocka with scorchers.
Isaac Hayes, Booker T, Stevie Wonder, James Brown are in the house.
Some of the previously unreleased cuts are amazing, like the Jackie Mittoo spaghetti, The Sharks’ dread techno.

Pure fire, from start to finish; killer after killer.
Expert, deep digging — including a dubplate mix of Last Call — leavened with a couple of all-time classics, for good measure.
Truly a cornerstone collection.

A blistering selection, with the series’ signature mixture of classic hits and recovered treasure.

Over three decades, Rude Boys cast as thugs, henchmen, pariahs; cutting-edge cultural warriors, rebels, freedom fighters. From ska to dancehall, with numerous rare contributions, and thrilling from start to finish.