A survey of the burgeoning new UK jazz scene.
‘Shows that while there is commonality in these artists’ approach to music, there is a wide variety of styles – from deep spiritual jazz, electronic experimentalisation, punk-edged funk, uplifting modal righteousness, deep soulful vocals and much more.’

Olive ‘Senya’ Grant makes Horace Andy’s Please Don’t Go her own.
Family Man at the controls, on Clive Chin’s ticket.

‘From the trios of pianists Kyle Shepherd, Bokani Dyer and Yonela Mnana, to the genre-defying exploits of guitarists Vuma Levin and Reza Khota; and from artists inspired by age-old traditions, like Lwanda Gogwana and Mandisi Dyantyis, to the cosmic explorations of Siya Makuzeni, Benjamin Jephta, Thandi Ntuli, Zoë Modiga and Shane Cooper’s Mabuta’  — Johannesburg label Afrosynth rounds up some of SA’s most talented young composers and bandleaders, as well as a wider cast of supporting musicians.

Hypnotic, infectious space-funk from Chicago’s south side — and some bedroom funk on the flip —  produced by Staple Singer’s engineer Don Greer in 1980.

Blimey.
The legendary flamenco singer Manuel Mancheño Peña — aka El Turronero, The Nougat — full throttle over a flanged, action-packed disco-funk bassline, metronomic beats. soaring and layered female backing vocals, intergalactic synth sounds and stirring strings. The flip is looser, groovier, and warmer, with still funkier bass, spiralling seventies synths, sweaty drums, and exotic touches.
DJ Harvey specials.

Original promo, with an asterisk stamped into run-off.

Over several years, Far East Records in Japan has faultlessly reissued more than fifty classic Treasure Isle sevens. Expert selections; impeccably restored labels, beautifully colour-matched, often using metallic inks; and great sound.
Over & Done With is out here for the first time, and it’s murder. Riding a banging bottom-end, with thunderous drum rolls, and magnificent horns with superb soloing, Monty coolly lays out his dignified, devastating dissection of a break-up, with the cutting, expository verve of prime Lord Kitchener.
‘When you came to my rescue, I gave all that I could give. Now that your purse is empty, you’ve left me the same way you came. Loving you is useless, you’re a waste of time, you’ve got no love, no sympathy on your mind… My darling, it’s over and done with.’
Baba Brooks leads the way on the flip, which sounds a lot better here than the original pressing. Killer, tear-up ska.