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The legendary digital destroyer in all its original glory, including the dub; and another murderous King Culture unveiled — soulful and limber. A double-headed ronto from Toronto. Killer.
Dead moody Lovers. A worrisomely loose, rumbling, mid-eighties Channel One rhythm, seamed with a squashed steel-drum sample, unfurled like spells.
‘Everything will be alright,’ sings Hopeton about his prospective date, but it doesn’t sound like it.
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